Pearl Blackk
Creative Access
Creative Access
Artistic Intelligence
Artistic Intelligence
Co-Design Lead
Co-Design Lead
I acknowledge the Wurundjeri people of the Kulin Nation as the traditional owners and custodians of this land in which I live and create. I pay all due respects to their Elders past and present.
Description: Elvin Lam is standing in front of a shimmery cool blue lit organza curtain, imprint the fabric with his movement, up an out in one broad swift shift. Photo Credit SOFIA SISCONETTO for the premier of FACE TO FACE at MIDSUMMA Festival as part of the AND OR Pathways Program
"I create with intention and watch the manifestation unfold from there. I try to trust my process to produce work which sometimes means that its in an ad hoc to ad-lib rhythm. I like that arts practice has the ability challenge new concepts in ways that aren't always obvious, or conscious.... There is a certain amount of mystery and heart involved."
"I create with intention and watch the manifestation unfold from there. I try to trust my process to produce work which sometimes means that its in an ad hoc to ad-lib rhythm. I like that arts practice has the ability challenge new concepts in ways that aren't always obvious, or conscious.... There is a certain amount of mystery and heart involved."
"Practising inclusive and accessible art adds value to my existence. My method of inclusive creative practices is to harness artistic qualities that focus on internal self observation and self expression. My inclusive creative practice allows for unconventional, organic and individual bonds, inviting new dialogues from those I may cross paths with. "
"Practising inclusive and accessible art adds value to my existence. My method of inclusive creative practices is to harness artistic qualities that focus on internal self observation and self expression. My inclusive creative practice allows for unconventional, organic and individual bonds, inviting new dialogues from those I may cross paths with. "